The Third Hotel is that kind of book an addictive puzzle as labyrinthine as the streets of Havana. This is a potent novel about life, death, and the afterlife. ‘The Third Hotel’ is a travel horror novel that subverts genre and expectations Adam Morgan T he instant I finished reading Laura van den Berg’s new novel, I turned back to page one. Toying with horror tropes and conventions, and displaying shades of authors such as Julio Cortázar, van den Berg turns Clare’s journey into a dreamlike exploration of grief. Though she knows it’s impossible, Clare soon becomes convinced her husband has somehow been resurrected and begins searching for him. Shortly after arriving at the festival, between screenings and excursions close to the novel’s titular hotel, Clare spies a man from afar who looks exactly like Richard. The couple had planned to attend the Festival of New Latin American Cinema together, specifically to see Cuba’s first horror film, a zombie picture named Revolución Zombi, and Clare intends on seeing the trip through in Richard’s honor. In her mysterious and engrossing second novel, van den Berg ( Find Me) tells the story of recently widowed elevator sales rep Clare, who travels to Havana after her horror-film scholar husband, Richard, is killed in a hit-and-run near their home in Upstate New York.
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